|
Issue |
Title |
|
No. 25 |
“Not Here to Steal Sheep”: A Reading of the History and Politics of Catholicism in Thailand |
Abstract
PDF
|
Coeli Barry |
|
No. 12 |
“Pedagogic Invasion”: The Thomasites in Occupied Philippines |
Abstract
PDF
|
Dinah Roma-Sianturi |
|
No. 18 |
“Sita Puts Out the Fire”: Some Depictions of the Testing of Sita’s Virtue in Indonesian, Malay, and Thai Literature |
Abstract
PDF
|
Harry Aveling |
|
No. 33/34 |
“The Returning Echoes of Our Memory”: Networks of Memory and Postcolonial Trauma in Tan Twan Eng’s The Gift of Rain |
Abstract
PDF
|
Vandana Saxena |
|
No. 18 |
“Wedded in the Association”: Heteroglossic Form and Fragmentary Historiography in Nick Joaquin’s Almanac for Manileños |
Abstract
PDF
|
Vincenz Serrano |
|
No. 20 |
"¡Hay un caimán!": Una aproximación al estudio del poema A la Laguna de Bay de Fernando Canon |
Abstract
PDF
|
Beatriz Álvarez Tardío |
|
No. 26 |
Bamboo Girl |
Details
PDF
|
Ian Rosales Casocot |
|
No. 4 |
Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquin’s "A Portrait of the Artist as Filipino" |
Abstract
PDF
|
John D. Blanco |
|
No. 30/31 |
Bedeviling Quijano De Manila’s Discourses of the Devil’s Advocate |
Abstract
PDF
|
Ivan Emil Labayne |
|
No. 7 |
Bending English for the Filipino Stage |
Abstract
PDF
|
Bienvenido L. Lumbera |
|
No. 19 |
Bernal as Auteur: Primary Biographical Notes |
Abstract
PDF
|
Bayani Santos, Jr. |
|
No. 25 |
Between Countries and Dreams |
Details
PDF
|
Patrick D. Flores |
|
No. 32 |
Between Technological Advancement and Protectionism: The Bumpy Evolution from MP3 Players to Smartphones in Korea |
Abstract
PDF
|
Jimmyn Parc |
|
No. 23 |
Beyond the Color Line: Intersectional Considerations in Chuah Guat Eng's Fiction |
Abstract
PDF
|
Wai Chew Sim |
|
No. 23 |
Beyond the Innocence of Globalization: The Abiding Necessity of Carlos Bulosan's Anti-Imperialist Imagination |
Abstract
PDF
|
Tim Libretti |
|
No. 21/22 |
Beyond Verbatim: Dramatizing the Search for Jean McConville |
Abstract
PDF
|
Bill Hopkinson, Jane McNulty |
|
No. 33/34 |
Born of Two Koreas, of Human Blood: Monstrosity and the Discourse of Humanity and Pacifism in the Film Bulgasari |
Abstract
PDF
|
Jungman Park |
|
No. 27 |
Buen Calubayan: The Artist as Biographer |
Details
PDF
|
Brylle B. Tabora |
|
No. 32 |
Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea |
Abstract
PDF
|
Patrick Messerlin |
|
No. 24 |
But for the Apocalypse: Wilfrido Nolledo’s Da rk Mirror of Empire |
Abstract
PDF
|
Ryan Canlas |
|
No. 28 |
By the Third Mojito and Other Poems |
Details
PDF
|
Noelle Leslie dela Cruz |
|
No. 23 |
Carlos Bulosan and a Collective Outline for Critical Filipina and Filipino Studies |
Abstract
PDF
|
Michael Viola, Valerie Francisco, Amanda Solomon Amorao |
|
No. 23 |
Carlos Bulosan on Writing: The Role of Letters |
Abstract
PDF
|
Marilyn Alquizola, Lane Ryo Hirabayashi |
|
No. 21/22 |
Carnivalesque Economies: Clowning and the Neoliberal Impasse |
Abstract
PDF
|
Barnaby King |
|
No. 8 |
Caveats on the Problem of Understanding Peirce’s Semiotics and Pragmatism |
Abstract
PDF
|
E. San Juan, Jr. |
|
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