|
Issue |
Title |
|
No. 23 |
Translations of Poems from "Morpo" |
Details
PDF
|
Jose Perez Beduya, Allan Popa |
|
No. 17 |
"Transmedial Aesthetics is Ordinary": Some Remarks on Victor Erice's "The Spirit of the Beehive" |
Abstract
PDF
|
Jan Baetens |
|
No. 2 |
Tribute to Doreen Gamboa Fernandez |
Details
PDF
|
Public Information Department BAYAN |
|
No. 2 |
Tribute to Doreen Gamboa Fernandez |
Details
PDF
|
Baltazar N. Endriga |
|
No. 26 |
Truth, Justice, and Performative Knowledge: Chokri Ben Chikha’s Theatrical “Truth Commission” on (Neo)colonial Injustices |
Abstract
PDF
|
Klaas Tindemans |
|
No. 29 |
Tungo sa Dalumat ng Bayan: Isang Metonimiya |
Abstract
PDF
|
Christian Jil R. Benitez |
|
No. 27 |
Turn and Return |
Details
PDF
|
Pauline Lacanilao |
|
No. 21/22 |
Turning from the Margins: Discoursing Heidegger at the End of Life as We Know It |
Abstract
PDF
|
Agustin Martin G. Rodriguez |
|
No. 23 |
Two |
Details
PDF
|
Erika Carreon |
|
No. 6 |
Two Approaches to the Positioning of Translations: A Comparative Study of Itamar Even-Zohar’s Polysystem Studies and Gideon Toury’s "Descriptive Translation Studies and Beyond" |
Abstract
PDF
|
Harry Aveling |
|
No. 35 |
Two Poems |
Details
PDF
|
Alfonso Manalastas |
|
No. 6 |
Two-Part Invention: A Response |
Abstract
PDF
|
Theodore S. Gonzalves |
|
No. 28 |
Types of Borrowings in Tagalog/Filipino |
Abstract
PDF
|
Ekaterina Baklanova |
|
No. 28 |
Understanding the Potential for a Hallyu “Backlash” in Southeast Asia: A Case Study of Consumers in Thailand, Malaysia and Philippines |
Abstract
PDF
|
Mary Jane Ainslie, Sarah Domingo Lipura, Joanne Lim |
|
No. 27 |
Unreading the Novel, or Experiencing Ninotchka Rosca's State of War as Mythopoeia |
Abstract
PDF
|
Kathrine D. Ojano |
|
No. 26 |
Vernacular World Making: E. San Juan, Jr. and the Rehearsal for the New International |
Abstract
PDF
|
Charlie Samuya Veric |
|
No. 25 |
Visitation |
Details
PDF
|
Josh Uyheng |
|
No. 23 |
Voice |
Details
PDF
|
John Bengan |
|
No. 36 |
Vultures and Candles as Metaphors of Leadership Failures in Emeka Nwabueze’s A Parliament of Vultures and Uche-Chinemere Nwaozuzu’s The Candles |
Abstract
PDF
|
Emeka Aniago, Norbert Oyibo Eze, Stella Okoye-Ugwu, Divine Sheriff Jose |
|
No. 25 |
We Have Intimated Too Much of Ourselves to This City |
Details
PDF
|
Oscar Tantoco Serquiña, Jr. |
|
No. 30/31 |
We the Divided: Partitions of Performance in the Ceramic State |
Abstract
PDF
|
Alan Read |
|
No. 24 |
We Were War Surplus, Too: Nick Joaquin and the Impossibilities of Filipino Historical Becoming |
Abstract
PDF
|
Josen Masangkay Diaz |
|
No. 29 |
Webtoon as a New Korean Wave in the Process of Glocalization |
Abstract
PDF
|
Wonho Jang, Jung Eun Song |
|
No. 16 |
What, and Where, is Philippine Studies? A Response |
Abstract
PDF
|
Charlie Samuya Veric |
|
No. 26 |
What do I call this beating: |
Details
PDF
|
Neobie Gonzalez |
|
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