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| Issue |
Title |
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| No. 26 |
Alaalang Pampanitikan: Si Epifanio San Juan, Jr. Sa Panitikang Filipino |
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Efren R. Abueg |
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| No. 17 |
Allegory and Archipelago: Jesus Balmori's "Los pájaros de fuego" and the Global Vantages of Filipino Literature in Spanish |
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Adam Lifshey |
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| No. 7 |
Allied Forces, Forced Alliances: A Reaction to Gerald T. Burns’s “Enemies and Friends: A Consideration of the Burnham Kidnapping" |
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J. P. Jacobo |
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| No. 33/34 |
Alt-Burger: Transforming Populist Food Systems |
Abstract
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Sophie Christman |
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| No. 11 |
Always Moving Toward Justice |
Abstract
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John Streamas |
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| No. 18 |
América is in the Archipelago: Mariano De la Rosa’s "Fíame" and the Filipino (American) Novel in Spanish of World War II |
Abstract
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Adam Lifshey |
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| No. 29 |
Amber Liu, K-Pop Tomboy: Reshaping Femininity in Mainstream K-Pop |
Abstract
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Paola Laforgia, Keith Howard |
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| No. 8 |
America is in the Heart as a Colonial-Immigrant Novel Engaging the Bildungsroman |
Abstract
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Gabriel Jose Gonzales, S. J. |
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| No. 9 |
American Globality and the US Prison Regime: State Violence and White Supremacy from Abu Ghraib to Stockton to Bagong Diwa |
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Dylan Rodríguez |
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| No. 11 |
Anatomy of Exile |
Abstract
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Tamara Powell |
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| No. 10 |
Ang Ateneo sa Kasaysayan Ko Bilang Guro ng Panitikan (The Ateneo in My History as a Teacher of Literature) |
Details
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Bienvenido Lumbera, Charlie Samuya Veric |
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| No. 19 |
Ang Dapat Mabatid ng Planetaryong Filipino: San Juan versus Almario |
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Charlie Samuya Veric |
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| No. 10 |
Ang Mga Pinagdaanang Buhay ng "Ibong Adarna": Narrativity and Ideology in the Adarna’s Corrido and Filmic Versions |
Abstract
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Francisco Benitez |
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| No. 3 |
Ang Paanyaya ni Bush Kay Gloria |
Details
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Bienvenido Lumbera, Charlie Samuya Veric |
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| No. 13 |
Ang Pandaigdigang Pananaw ng Pantayong Pananaw |
Abstract
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Jose Rhommel B. Hernandez |
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| No. 5 |
Anti-US Imperialism as Assertion of Black Subjectivity at the Turn of the Last Century |
Abstract
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Lorenzo Alexander L. Puente |
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| No. 26 |
Appendix: Curriculum Vitae of E. San Juan, Jr. |
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E. San Juan, Jr. |
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| No. 28 |
Arabella Raut the Eighth |
Details
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Karlo Antonio Galay David |
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| No. 32 |
Assessing the Impact of Protectionism Upon the Performance of Actors: The Case of the French and Korean Film Industries |
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Hee Jun Kim, Maxime Martigane, Jimmyn Parc |
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| No. 15 |
"At a Loss for Words": Theatre, Performance and the Northern Ireland Prison Protests |
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Lionel Pilkington |
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| No. 30/31 |
Athens’ Shadows |
Abstract
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Victor Merriman |
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| No. 18 |
“Give the People What They Want”: Bodies on Display in Marlene Van Niekerk’s Triomf |
Abstract
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Lara Buxbaum |
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| No. 27 |
“Komedi within Komedi”: Moving Pictures and Intermedial Crossings in Turn-of-the-Century Colonial Indonesia |
Abstract
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Dafna Ruppin |
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| No. 26 |
“Land is Life”: Reflections on E. San Juan, Jr., Considerations for Filipino Critical Theory, and Notes for Environmental Justice in the United States and the Philippines |
Abstract
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Michael Joseph Viola |
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| No. 27 |
“Love Is…”: An Inaesthetic Inquiry on Love and Attention in Aureus Solito’s The Blossoming of Maximo Oliveros |
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Jeremy De Chavez |
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