|
Issue |
Title |
|
No. 23 |
Manuel Blanco's El Indio and the History of a Rumor |
Abstract
PDF
|
Resil Mojares |
|
No. 33/34 |
Mapping Historical Dialogue: Remembering for the Future |
Abstract
PDF
|
Alison Atkinson-Phillips, Ulrike Capdepón, Jill Strauss, Oriol López-Badell |
|
No. 19 |
Marcos, Brocka, Bernal, City Films, and the Contestation for Imagery of Nation |
Abstract
PDF
|
Rolando B. Tolentino |
|
No. 15 |
Marginaliad: Reading Gina Apostol's "The Revolution According to Raymundo Mata" |
Abstract
PDF
|
Paul S. de Guzman |
|
No. 27 |
Maria Clara for the 21st Century: Filipino Responses to “Neo-Colonial” Encounters |
Abstract
PDF
|
José Miguel Díaz Rodríguez |
|
No. 21/22 |
Marking "Austerity": Critique, Purpose and Performance |
Abstract
PDF
|
Victor Merriman |
|
No. 4 |
Meditation on the "Bangko" (Thanks to Descartes) |
Details
PDF
|
Leovino Ma. Garcia |
|
No. 35 |
Melodrama of Migration: Suffering, Performance, and Stardom in Ricardo Lee’s DH: Domestic Helper |
Abstract
PDF
|
Oscar Tantoco Serquiña, Jr. |
|
No. 18 |
Memory and the Diasporic Creative Imagination: Preeta Samarasan’s Evening is the Whole Day |
Abstract
PDF
|
Shanthini Pillai |
|
No. 30/31 |
Message |
Details
PDF
|
Inderpal Grewal |
|
No. 30/31 |
Message |
Details
PDF
|
David Lloyd |
|
No. 30/31 |
Message |
Details
PDF
|
Bienvenido Lumbera |
|
No. 30/31 |
Message |
Details
PDF
|
Vicente Rafael |
|
No. 30/31 |
Message |
Details
PDF
|
Epifanio San Juan, Jr. |
|
No. 26 |
Mga Bintana ng Liwanag sa Hilaga |
Details
PDF
|
Kristoffer Brugada |
|
No. 30/31 |
Migrant Artists’ Mutual Aid: A Short History in Images |
Details
PDF
|
Jennifer Verson |
|
No. 26 |
Migration, Imagination, and Transformation: Revisiting E. San Juan’s Carlos Bulosan and the Imagination of the Class Struggle |
Abstract
PDF
|
Michael D. Pante, Leo Angelo Nery |
|
No. 21/22 |
Mis-education, Translation, and the Barkada of Languages: Reading Renato Constantino with Nick Joaquin |
Abstract
PDF
|
Vicente L. Rafael |
|
No. 36 |
Mobility in the Work of Haruki Murakami, Focusing on Dance Dance Dance as a Narrative of Mobility |
Abstract
PDF
|
Inseop Shin |
|
No. 9 |
Modernist Poetic Practices in English Poetry from Southeast Asia: A Comparison Between Jose Garcia Villa and Arthur Yap |
Abstract
PDF
|
Rajeev S. Patke |
|
No. 33/34 |
Monsters at the End of Time: Alternate Hierarchies and Ecological Disasters in Alaya Dawn Johnson’s Spirit Binders Novels |
Abstract
PDF
|
Anita Harris Satkunananthan |
|
No. 29 |
Monsters in the Pacific: The Philippines in the Hollywood Geopolitical Imaginary |
Abstract
PDF
|
Laurence Marvin S. Castillo |
|
No. 2 |
Mother Doreen |
Details
PDF
|
Danton Remoto |
|
No. 33/34 |
Mothering Celebrities: Feminine/Feminist Agency and Subjectivity in the Auto/biographies of an Indonesian Female Celebrity |
Abstract
PDF
|
Aquarini Priyatna, Lina Meilinawati Rahayu, Mega Subekti |
|
No. 18 |
Movement, Memory, Transformation, and Transition in the City: Literary Representations of Johannesburg in Post-Apartheid South African Texts |
Abstract
PDF
|
Anne Putter |
|
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