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No. 32

DOI: http://dx.doi.org/10.13185/KK2019.032

Cover Page

No. 32

Kritika Kultura 32: Cultural Practices and Policies in the Digital and Global Age
 
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SPECIAL FORUM KRITIKA: Cultural Practices and Policies in the Digital and Global Age

INTRODUCTION: Kritika Kultura Special Issue on Cultural Practices and Policies in the Digital and Global Age
Patrick Messerlin, Hwy-Chang Moon
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1-5
Between Technological Advancement and Protectionism: The Bumpy Evolution from MP3 Players to Smartphones in Korea
Jimmyn Parc
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6-31
Adapting to Technological Changes in the Music Business: The Case of the British Music Industry and New Record Formats in the 1950s
Stephen Ranger
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32-53
Hallyuwood: Korea’s Comparative Advantage in the Global Motion Picture Industry
Sébastien Miroudot
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54-78
The Next Growth Strategy for Hallyu: A Comparative Analysis of Global Entertainment Firms
Yeon W. Lee, Kyuchan Kim
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79-116
A New Model for Globalization in the Film Industry: Lessons from Sino-US Film Co-productions
Wenyan Yin
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117-140
Strategy for the Cultural Contents Industry to Secure Competitive Advantage Using Fourth Industrial Revolution Technology
Jin Sup Jung, Min Jae Lee
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141-163
Assessing the Impact of Protectionism Upon the Performance of Actors: The Case of the French and Korean Film Industries
Hee Jun Kim, Maxime Martigane, Jimmyn Parc
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164-182
From Record Contract to Artrepreneur? Musicians’ Self-Management and the Changing Illusio in the Music Market
Holger Schwetter
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183-207
Deepening Conditions of Precarity in the Korean Game Industry and Collaborative Strategies to Overcome Constraints
Sangkyu Lee
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208-236
Synergistic Co-operations in the Cosmetic Industry: Learning and Convergence between Firms and Social Media
Yeon W. Lee
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237-259
The Fandom of Hallyu, A Tribe in the Digital Network Era: The Case of ARMY of BTS
WoongJo Chang, Shin-Eui Park
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260-287
Fan Entrepreneurship: Fandom, Agency, and the Marketing of Hallyu in Israel
Nissim Otmazgin, Irina Lyan
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288-307
Increasing Opportunity and Value in the Cultural Industries: A Comparative Analysis of the Successful Clusters and Implications for Hallyu
Hwy-Chang Moon
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308-333
The Industrialization of Korea’s Performing Arts and Its Path for Globalization
Man-Soo Cho
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334-352
How Industrial Policies Shaped the Globalization of the Chinese Film Industry since the 1990s
Xiaolan Zhou
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353-374
Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea
Patrick Messerlin
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375-396
Does Copyright Help or Harm Cultural Diversity in the Digital Age?
Sean A. Pager
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397-428
Accumulated and Accumulable Cultures: The Case of Public and Private Initiatives toward K-Pop
Jimmyn Parc, Hwy-Chang Moon
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429-452
Japan’s Soft Power and “Grand Fictions” in Global Venues: Japanese Pop Culture Franchises and Fictionality-based Tactics
Marco Pellitteri
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453-481
The Evolution of the Concept and Practical Application of Cultural Diversity in Korea
Sunhee Park
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482-504