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Pinay as Subaltern in Korean Cinema

Yu Taeyun

Abstract

The paper presents an analysis of Korean film texts Yangil Choi‘s All Under the Moon (1993) and Han Lee‘s Wandeugi (a.k.a. Punch, 2011). The discussion of the paper focused on the interplay among nationalism, post/colonialism, and globalization in these films.

Keywords

post/colonialism; hybridity; subalterneity; nationalism

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