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| Issue |
Title |
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| No. 18 |
Dark Humor: Satire, the Baroque, and the Carnivalesque in Patricia Schonstein’s Banquet at Brabazan and Ingrid Winterbach’s The Elusive Moth |
Abstract
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Heather Acott |
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| No. 24 |
Days of Rain |
Details
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Francezca Kwe |
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| No. 23 |
Days of Yore, Days of Change |
Abstract
PDF
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Wai Chew Sim, Chuah Guat Eng |
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| No. 20 |
Death, Event, and a Deconstruction of Gihapon in "Flores ni Maria Santisima" |
Abstract
PDF
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Cyril Belvis |
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| No. 24 |
Deaths in Distance |
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Jan Kevin Rivera |
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| No. 16 |
Decolonizing Knowledges: Asian American Studies, Carlos Bulosan, and Insurgent Filipino Diasporic Imagination |
Abstract
PDF
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Jeffrey Arellano Cabusao |
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| No. 32 |
Deepening Conditions of Precarity in the Korean Game Industry and Collaborative Strategies to Overcome Constraints |
Abstract
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Sangkyu Lee |
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| No. 24 |
Deliverance and Other Poems |
Details
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Regine Cabato |
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| No. 30/31 |
Democracy is Not Possible Here: A Private Argument in Public |
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Gary Anderson, Lena Simic |
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| No. 25 |
Deposition of the Cross and Other Poems |
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Allan Popa |
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| No. 25 |
Devotion II |
Abstract
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Wilfredo Pascual |
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| No. 14 |
Disciplining the Times and Spaces of Modernism |
Abstract
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Pamela L. Caughie |
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| No. 19 |
Discursive Formations and the Ambivalent Nation in Gina Apostol's "The Revolution According to Raymundo Mata" |
Abstract
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Jillian Joyce Ong Tan |
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| No. 25 |
Dismantling Disaster, Death, and Survival in Ecopoetry |
Abstract
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Rina Garcia Chua |
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| No. 30/31 |
Disobedient Cultures: Art, Politics, and Resurgent Hope |
Abstract
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Malcolm Miles |
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| No. 33/34 |
Divided We Stand: Bewailing Alien-nation in Esiaba Irobi’s Why I Don’t Like Philip Larkin |
Abstract
PDF
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Niyi Akingbe |
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| No. 32 |
Does Copyright Help or Harm Cultural Diversity in the Digital Age? |
Abstract
PDF
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Sean A. Pager |
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| No. 2 |
Doreen Fernandez |
Details
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Patricia B. Licuanan |
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| No. 2 |
Doreen, the Revolutionary |
Details
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Teddy Casiño |
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| No. 2 |
Doreen: A Wellspring of Goodness |
Details
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Carolina A. Nuñez |
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| No. 33/34 |
Dramatizing History: Reading Bakhtin’s Carnival in Kee Thuan Chye’s Plays |
Abstract
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Erda Wati Bakar, Noraini Md Yusof, Ravichandran Vengadasamy |
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| No. 33/34 |
Drawing Spaniards in the Philippines: Displacement, Brutalization, and the Dissident Eye of Ignacio del Villar |
Abstract
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Rocío Ortuño Casanova |
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| No. 25 |
Dulsita, ang Kabuuan ng Kontradiksyon ng Imahen ni Sharon Cuneta sa Pelikulang Pilipino |
Abstract
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Jerrick Josue David |
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| No. 26 |
E. San Juan, Jr. at ang Diskursong Kulturang Popular |
Abstract
PDF
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Rolando B. Tolentino |
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| No. 26 |
E. San Juan, Jr.: Remembering the Struggles During Martial Law |
Abstract
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Elmer A. Ordoñez |
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