2024-03-29T08:24:47Z
https://journals.ateneo.edu/ojs/index.php/apah/oai
oai:ojs.journals.ateneo.edu:article/114
2016-09-08T20:34:35Z
apah:TS
v2
https://journals.ateneo.edu/ojs/index.php/apah/article/view/114
2016-09-08T20:34:35Z
Perspectives in the Arts and Humanities Asia
Vol. 2, No. 2 (2012): Asian Perspectives in the Arts and Humanities
The Epic Theatre as “Dialectic (at-Play)”: Badiou, Brecht and the Dubious Mask of the Storyteller
Desmond, Brian
2012-09-30 00:00:00
Transfer of Copyright Agreement (as of July 1, 2020)For and in consideration of publishing the Article, I, as the sole Author/Corresponding Author and the authorized representative of the Coauthors, hereby agree to transfer and assign to the Ateneo de Manila University, as the Publisher of the Journal, the copyright to the said Article, including any and all my/our rights, interests, and claims related to it, subject to the following reservations:All proprietary rights other than copyright, such as patent rights.A nonexclusive, nontransferable, irrevocable, royalty-free, worldwide license to:a. Make further copies of all or part of the published Article for my/our use in teaching;b. Reuse all or part of the published Article in a compilation of my/our own works or in textbooks of which I/we are the authors and/or coauthors; andc. Make copies of the published Article for internal distribution within the institution/s that employ/s me/us.provided that copies made under 2.a and 2.c will carry the copyright notice that appeared in the original published work.I/we also hereby warrant the following:The Article is an original work;I/we own the copyright in the Article/I am authorized by the copyright owner/s to sign this agreement;The Article has not been previously published and is not under consideration for publication elsewhere;The Article does not contain any matter that is obscene, libelous, or otherwise contrary to law;I/we have obtained the necessary license/s or written authority/ies and paid any and all related fees for the use and reproduction of texts, tables, illustrations, and other copyrighted work/s from its/their intellectual property right owners, and I/we undertake to furnish the Publisher copies of the license/s or written authority/ies and proofs of payment of related fees upon the signing of this Agreement;As the Corresponding Author, I represent the Coauthor/s of the Article, if any, who has/have likewise agreed to the terms and conditions stated herein, and I undertake to submit the written authority/ies and consent/s of the Coauthors of the Article upon the signing of this Agreement.Among other rights, the Publisher has the exclusive right to reproduce, distribute, and publish the said Article, including its translations, in whole or in part, throughout the world during the full term of copyright and all renewals and extensions thereof, if any is allowed by law at present or in the future, as well as exclusive rights, without limitation, for the mechanical, electronic, and visual reproduction; electronic storage and retrieval; and all other forms of electronic publication or any other types of publication.In the event that I/we would intend to subsequently republish, reprint, or translate all or part of the Article in other publications, I will secure the prior written permission from Ateneo de Manila University through the Journal Editor.Note to Contributors:The Transfer of Copyright from Authors to Publisher must be clearly stated in writing to enable the Publisher to ensure maximum dissemination of the Author’s work.If the copyright of the Article is not owned by the Author/s, such as in the case where the Author’s employer is the owner of the copyright, the Author warrants that he/she is authorized by the copyright owner to sign on behalf of the owner, and that the owner has consented to the following: the transfer of copyright; the representation and the warranty of publication rights; and all other terms and conditions of this agreement. If such authorization and consent have not been given to the Author, an authorized representative of the copyright owner should sign this agreement.Downloadable Transfer of Copyright Agreement
url:https://journals.ateneo.edu/ojs/index.php/apah/article/view/114
en
This essay draws from Alain Badiou’s perspectives on revolutionary dialectics,and his discussion of Bertolt Brecht’s epic dramaturgy as a strategicappropriation of the mask, to discuss the deployment of narrativedevices of folk storytelling in Brecht’s work. Brecht’s epic dramaturgywas initially informed by oral narrative traditions such as German folktales and songs, and also by experimentations with the formal strategiesof traditional storytelling theatres such as Greek tragedy and JapaneseNoh Theatre. Badiou’s perspectives on dialectical division and the theatrical“dialectic (at-play)” are used to inform an understanding of howGestus as a theatrical language is influenced by the narrative devicesof folk storytelling, encouraging critical thought over lazy consensus,and insisting on division over conformity.
oai:ojs.journals.ateneo.edu:article/115
2016-09-08T20:34:39Z
apah:TS
v2
https://journals.ateneo.edu/ojs/index.php/apah/article/view/115
2016-09-08T20:34:39Z
Perspectives in the Arts and Humanities Asia
Vol. 2, No. 2 (2012): Asian Perspectives in the Arts and Humanities
Shakespeare on the Ateneo Stage: A History of Post-colonial Shakespeare in the Ateneo de Manila University
Maramara, Missy M.
2012-09-30 00:00:00
Transfer of Copyright Agreement (as of July 1, 2020)For and in consideration of publishing the Article, I, as the sole Author/Corresponding Author and the authorized representative of the Coauthors, hereby agree to transfer and assign to the Ateneo de Manila University, as the Publisher of the Journal, the copyright to the said Article, including any and all my/our rights, interests, and claims related to it, subject to the following reservations:All proprietary rights other than copyright, such as patent rights.A nonexclusive, nontransferable, irrevocable, royalty-free, worldwide license to:a. Make further copies of all or part of the published Article for my/our use in teaching;b. Reuse all or part of the published Article in a compilation of my/our own works or in textbooks of which I/we are the authors and/or coauthors; andc. Make copies of the published Article for internal distribution within the institution/s that employ/s me/us.provided that copies made under 2.a and 2.c will carry the copyright notice that appeared in the original published work.I/we also hereby warrant the following:The Article is an original work;I/we own the copyright in the Article/I am authorized by the copyright owner/s to sign this agreement;The Article has not been previously published and is not under consideration for publication elsewhere;The Article does not contain any matter that is obscene, libelous, or otherwise contrary to law;I/we have obtained the necessary license/s or written authority/ies and paid any and all related fees for the use and reproduction of texts, tables, illustrations, and other copyrighted work/s from its/their intellectual property right owners, and I/we undertake to furnish the Publisher copies of the license/s or written authority/ies and proofs of payment of related fees upon the signing of this Agreement;As the Corresponding Author, I represent the Coauthor/s of the Article, if any, who has/have likewise agreed to the terms and conditions stated herein, and I undertake to submit the written authority/ies and consent/s of the Coauthors of the Article upon the signing of this Agreement.Among other rights, the Publisher has the exclusive right to reproduce, distribute, and publish the said Article, including its translations, in whole or in part, throughout the world during the full term of copyright and all renewals and extensions thereof, if any is allowed by law at present or in the future, as well as exclusive rights, without limitation, for the mechanical, electronic, and visual reproduction; electronic storage and retrieval; and all other forms of electronic publication or any other types of publication.In the event that I/we would intend to subsequently republish, reprint, or translate all or part of the Article in other publications, I will secure the prior written permission from Ateneo de Manila University through the Journal Editor.Note to Contributors:The Transfer of Copyright from Authors to Publisher must be clearly stated in writing to enable the Publisher to ensure maximum dissemination of the Author’s work.If the copyright of the Article is not owned by the Author/s, such as in the case where the Author’s employer is the owner of the copyright, the Author warrants that he/she is authorized by the copyright owner to sign on behalf of the owner, and that the owner has consented to the following: the transfer of copyright; the representation and the warranty of publication rights; and all other terms and conditions of this agreement. If such authorization and consent have not been given to the Author, an authorized representative of the copyright owner should sign this agreement.Downloadable Transfer of Copyright Agreement
url:https://journals.ateneo.edu/ojs/index.php/apah/article/view/115
en
The article traces the development of Shakespearean productions inthe Ateneo de Manila University from 1910 to 2012. It narrates how theinitial purpose of early productions during the American Occupationof the 1900s has been transformed from being a colonial pedagogicaltool into a post-colonial theatrical form at the turn of the 21st century,because of the Filipinization movement of the 1960s and the 1970s. Thearticle recapitulates Fr. Miguel Bernad’s research on the first productionsdirected by the Spanish Jesuits and accounts of productions directed byFr. Henry Lee Irwin, then narrates the history of Ateneo theater by goingthrough a survey of The Guidon reviews throughout the 1960s and 1970s,then finally recounts theatrical experiences and personal interviews withOnofre Pagsanghan, Salvador Bernal, and Ricardo Abad.
oai:ojs.journals.ateneo.edu:article/116
2016-09-08T20:34:43Z
apah:TS
v2
https://journals.ateneo.edu/ojs/index.php/apah/article/view/116
2016-09-08T20:34:43Z
Perspectives in the Arts and Humanities Asia
Vol. 2, No. 2 (2012): Asian Perspectives in the Arts and Humanities
Acting Lessons from Rolando and Ella
https://journals.ateneo.edu/ojs/index.php/apah/article/download/116/0
Abad, Ricardo G.
2012-09-30 00:00:00
Transfer of Copyright Agreement (as of July 1, 2020)For and in consideration of publishing the Article, I, as the sole Author/Corresponding Author and the authorized representative of the Coauthors, hereby agree to transfer and assign to the Ateneo de Manila University, as the Publisher of the Journal, the copyright to the said Article, including any and all my/our rights, interests, and claims related to it, subject to the following reservations:All proprietary rights other than copyright, such as patent rights.A nonexclusive, nontransferable, irrevocable, royalty-free, worldwide license to:a. Make further copies of all or part of the published Article for my/our use in teaching;b. Reuse all or part of the published Article in a compilation of my/our own works or in textbooks of which I/we are the authors and/or coauthors; andc. Make copies of the published Article for internal distribution within the institution/s that employ/s me/us.provided that copies made under 2.a and 2.c will carry the copyright notice that appeared in the original published work.I/we also hereby warrant the following:The Article is an original work;I/we own the copyright in the Article/I am authorized by the copyright owner/s to sign this agreement;The Article has not been previously published and is not under consideration for publication elsewhere;The Article does not contain any matter that is obscene, libelous, or otherwise contrary to law;I/we have obtained the necessary license/s or written authority/ies and paid any and all related fees for the use and reproduction of texts, tables, illustrations, and other copyrighted work/s from its/their intellectual property right owners, and I/we undertake to furnish the Publisher copies of the license/s or written authority/ies and proofs of payment of related fees upon the signing of this Agreement;As the Corresponding Author, I represent the Coauthor/s of the Article, if any, who has/have likewise agreed to the terms and conditions stated herein, and I undertake to submit the written authority/ies and consent/s of the Coauthors of the Article upon the signing of this Agreement.Among other rights, the Publisher has the exclusive right to reproduce, distribute, and publish the said Article, including its translations, in whole or in part, throughout the world during the full term of copyright and all renewals and extensions thereof, if any is allowed by law at present or in the future, as well as exclusive rights, without limitation, for the mechanical, electronic, and visual reproduction; electronic storage and retrieval; and all other forms of electronic publication or any other types of publication.In the event that I/we would intend to subsequently republish, reprint, or translate all or part of the Article in other publications, I will secure the prior written permission from Ateneo de Manila University through the Journal Editor.Note to Contributors:The Transfer of Copyright from Authors to Publisher must be clearly stated in writing to enable the Publisher to ensure maximum dissemination of the Author’s work.If the copyright of the Article is not owned by the Author/s, such as in the case where the Author’s employer is the owner of the copyright, the Author warrants that he/she is authorized by the copyright owner to sign on behalf of the owner, and that the owner has consented to the following: the transfer of copyright; the representation and the warranty of publication rights; and all other terms and conditions of this agreement. If such authorization and consent have not been given to the Author, an authorized representative of the copyright owner should sign this agreement.Downloadable Transfer of Copyright Agreement
url:https://journals.ateneo.edu/ojs/index.php/apah/article/view/116
en
The author looks back at the thirteen years he spent acting for TeatroPilipino, once the resident drama company of the Cultural Center of thePhilippines, and distills five acting lessons learned from the company’sartistic director, Rolando Tinio, and his spouse, the actress and directorElla Luansing. These five lessons are not a list of techniques but a setof principles to be pursued in the course of one’s theater life. Call it, ifyou will, a credo of performance.